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Saturday, April 27, 2013

Another Smiths Homage... to T. Rex

Here's another obvious Smiths touchstone: T. Rex. You'll hear the homage instantly in The Smiths' "Panic", which lifts its chord structure straight from T. Rex's "Metal Guru."

Here's "Panic":

And here's "Metal Guru":


Morrissey and Johnny Marr were huge T. Rex fans dating back to the early 1970s.And as they say, imitation is the greatest form of flattery.



Friday, April 26, 2013

Elvis and The Smiths

It's no secret that The King of Rock influenced Johnny Marr's compositions with The Smiths. Perhaps the most blatant example of Presley's influence can be heard on The Smiths track "Rusholme Ruffians" -- as Tony Fletcher writes, it "displayed such an obvious doff of the cap to Elvis Presley's "(Marie's the Name) His Latest Flame".

Hear it for yourself.
Here's "Rusholme Ruffians":


And here's Presley's "His Latest Flame":


Thursday, April 25, 2013

Song In My Head

"Promises, Promises"  - Naked Eyes

I heard this song yesterday and it hasn't left my head.  Very 80's, yet strip the layers, it's pretty funky.  A grooving guitar riff with a loose base line.    Plus, to me the marimba is what sticks out.  It's the song that keeps them from being another 80's one hit wonder.Never one of my favorite songs, but hey, here it is in my head and it should slowly move out. 

Monday, April 15, 2013

Song In My Head


Japan - "Quiet Life"
The title track from Japan's 1979 album was a departure for the previously glam-punk outfit, and it set in motion much of the new wave sound of the 1980s. It's pretty clear Duran Duran liberally borrowed from this track for their entire catalog (but at least they gave credit where credit is due.)

Saturday, April 13, 2013

Song In My Head



It's "Rip It Up" by the seminal Scottish post-punk band Orange Juice. Check out a youngish Edwyn Collins fronting the band on their highest-charting UK single, a track which lent its name to the classic Simon Reynolds book. "Rip it Up" was released in November of 1982. Years later, Collins would have a solo hit with "A Girl Like You".

It's worth noting that a version of the rhythm guitar riff in this song is reminiscent of Captain Sensible's awful-yet -irresistible "Wot?" which came out the same year -- and both songs pretty much owe their existence to Chic's "Good Times".

Friday, April 12, 2013

A Light That Never Goes Out, Take 2

Here's another fun nugget from "A Light That Never Goes Out", Tony Fletcher's book about the Smiths.

In 1983, as Johnny Marr and producer John Porter (the bassist from Roxy Music) worked out the track that was to become "How Soon Is Now?", dance music was all the rage. Hip-hop was taking off, The Smiths had toured in clubs like Danceteria in New York, and their American record label even released 12" dance remixes of Smiths songs, as was the order of the day. Fletcher writes about the production of the track -- at the time just called "Swamp" -- and what was to be Marr's final instrumental flourish before Morrissey was called in to add lyrics:

"The final instrumental touch was Marr's relatively simple melody -- the high notes heard at the end of each 'verse' -- which he played using the electric guitar's natural harmonics. An almost precise replica of the synthesized vibraphone sound heard loudly on Lovebug Starski's 1983 12" "You've Gotta Believe," this was Marr's not to Starski as both a distant hip-hop influence and an immediate welcoming presence when the Smiths appeared at Danceteria. Such subtle notations were his way of countering the Smiths' public perception as '60s revivalists and rock purists."

Listen for yourself. Here's Lovebug Starski's "You've Gotta Believe" -- and the notes Marr borrowed for what was to become "How Soon is Now" will be very obvious:


And here's "How Soon is Now?":


Thursday, April 11, 2013

Song in My Head



I realize I'm running the risk of turning this blog into a platform for 80s revivalists, but the new song from Simple Minds really is quite good. I'm not keen on nostalgia for nostalgia's sake, but "Blood Diamonds" is a stunningly beautiful track that will make you think it's 1983 all over again. Maybe it's the synths or the fact that -- unlike most guys his age -- Jim Kerr's voice hasn't lost a step. Either way, these guys lost their way in America after the success of Once Upon a Time -- but this song pretty much eliminates the intervening 30 years (yikes).






Wednesday, April 10, 2013

A Light That Never Goes Out, Take 1

I just finished reading Tony Fletcher's amazing new book A Light That Never Goes Out: The Enduring Saga of The Smiths. Despite its more than 600 pages, it's a fast read, yet informative and well researched. And it's not a song-by-song analysis of the Smiths catalog (although there's plenty of that) but rather places the band in their cultural, social and political context in 1980s Britain. I highly recommend it.

In any case, now that I've completed the book, I'm going back over the pages I dog-eared for further research. I like to hear the influences Fletcher writes about and I'm spending a lot of time on YouTube following up on his writing. And I'll no doubt have more of these types of posts in the near future.

Today I start with the story of when Britain's Conservative Prime Minister David Cameron referred to himself as a Smiths fan -- something both Marr and Morrissey -- in a rare moment of post-breakup solidarity -- forbade him from doing. And then something even more peculiar happened: This exchange between Cameron and a Labour M.P. over who could name more Smiths songs:


Don't you wish we had something like Prime Minister's Question Time in this country?

Wednesday, April 3, 2013

Happy Birthday - Mike Ness!

Happy 51st to one of the coolest guys in rock & roll.  Mike is one of the people whose musical career can be documented back to when he was 19.  How much has changed and how age and time have done him good.  He is now (and has been since the early 80's) clean and sober, a vegetarian and collects Hamburglar toys.  Enjoy your day!

Monday, April 1, 2013

Song of the Summer, Take One

It's April 1 (happy birthday to a certain Discordant) and here in New York, it finally feels like Spring. So it's a perfect time to begin speculating what song will fill the envied role of Song of the Summer.

My first nomination is from the Southern California band Cayucas. It's called "High School Lover" and it's a catchy piece of sugary-sweet confection, just right for summertime. Enjoy!