Best Songs of 2017

Another year, another best-of list. 2017 was a solid year, musically speaking. So here we go...

"Star Roving" - Slowdive
2017 marked the creative return of the ill-titled and oft-mocked genre of shoegaze, with Slowdive and Ride leading the way. Both bands released new material after decades out of the spotlight, but it was Slowdive's self-titled album -- 22 years after their last one -- that tops my list this year. The lead-off single "Star Roving" is everything a shoegaze fan lives for: dreamy soundscapes and swirling guitars over a driving Krautrock beat. It's my song of the year.

"High Ticket Attractions" - New Pornographers
I've always been a fan of the Vancouver supergroup, but Carl Newman won me over with his great Song Exploder two years ago for "Brill Bruisers". Now the power pop and perfect hooks continue with this year's album -- the band's seventh -- Whiteout Conditions. It's the first one without Destroyer's Dan Bejar, and this track speeds along with purpose and some great synth riffs.

"Everything Now" - Arcade Fire
We'll stay north of the border for this one, and where Vancouver's New Pornographers scaled back a bit on this year's release, Montreal's Arcade Fire went all out. There is A LOT going on in this song -- including some sort of disco pan flutes -- but somehow Win Butler and his mates make it work. It's catchy, anthemic, and right out of the 80s.

"No CD" (featuring Rebel Kleff) - Loyle Carner
How many hip hop artists in their early 20s would rhyme about collecting records? Or hanging out with their kid sister? London's Loyle Carner does both on his debut album Yesterday's Gone. This track features an irresistible old school bass riff and some sublime rhyming -- he manages to rhyme No P's (as in pounds), old CDs, Old Jay Z's, ODB (as in the late Ol' Dirty Bastard), and --in a coup de grace -- OCD -- which clearly an artist this good must have more than a touch of.

"The System Only Dreams in Total Darkness" - The National
Cincinnati's The National gets a much-needed jolt of energy on this track, with an aggressive guitar solo in the middle and that intoxicating guitar riff that repeats throughout. Lean and mean.

"Darling" - Real Estate
Jangle pop lives on in the Telecaster of Martin Courtney, Real Estate's frontman. This lovely tune kicks off the band's fourth album. But it hides the turmoil they went through over the past year --  firing their founding lead guitarist Matt Mondanile over allegations of mistreatment of women.

"Call the Police" - LCD Soundsystem
On his first album in seven years, James Murphy sings "We all know this is nothing". But this is definitely something; many music critics put American Dream at the top of their best of the year lists for 2017. As Murphy sings about Berlin there are unmistakable references -- I imagine both intentional and unintentional -- to David Bowie and even U2, both of whom famously had rich creative phases in the German capital. In fact, listening to this track you can almost hear Bono's earnest yearning in Murphy's voice.

"Pain" - The War on Drugs
Each year, there are albums with multiple songs that could make this list. A Deeper Understanding, the fourth studio album from Philadelphia's The War on Drugs, is that kind of record. I chose this track over "Up All Night" and "Holding On" because a couple of days ago, I decided it was my favorite of the bunch. I hear so many influences in the vastness of Adam Granduciel's music -- American roots rock, brooding Springsteen-esque lyrics, even British synthpop. Plus they were great to see on a late-summer night in Central Park.

"I Can Only Stare" - Sleigh Bells
Now for something completely different. The bombast of Derek Miller's music and Alexis Krauss's voice takes a pop turn on this song, which is about loneliness, isolation and longing for someone from afar. If that sounds like Morrissey, it's worth noting that Miller says he was trying to rip off Johnny Marr with the guitar parts on this song.

"Feels Like Summer" - Weezer
Every year needs a great summer song, and this was admittedly the most obvious choice. It may be 4 degrees in New York right now but that chorus still makes me want to roll all the car windows down and sing.

"Over Everything" - Courtney Barnett & Kurt Vile
Pure slacker brilliance that builds to a crescendo of multilayered guitars. Don't let the casual delivery from both Barnett and Vile fool you -- these are two major individual talents who find a way to be better together. And why is there always a Kurt whenever there's a Courtney? Just asking.

"Money for Breakfast" - Spinning Coin
The Glasgow five piece has toured with Real Estate and Teenage Fanclub and with the debut release Permo, their influences are loud and clear: Big Star, Game Theory and the aforementioned pair are all here. As are fellow Glaswegians Orange Juice, and no surprise: Edwyn Collins produced this track.

"Bike Dream" - Rostam
The multi-instrumentalist Rostam Batmanglij left Vampire Weekend in early 2016 and his debut studio album Half-Light was released this past September. This song -- about the complications from dual love affairs (and perhaps a bad hangover) starts with a cello, drums and fuzzed-out synths -- all to serve in contrast to the sweetly-sung and deeply personal lyrics..

"Andrew in Drag" - The Magnetic Fields
Stephin Merritt marked his 50th year by releasing 50 Song Memoir, an autobiographical concept album featuring one song for every year of his life thus far. And if that's not monumental enough, he wrote each song in the style of the music that was popular at the time -- an incredibly rich endeavor. This bittersweet but very funny song is about a straight guy who falls in love with his best friend dressed up as a woman. And every line rhymes with drag.

"Airborne" - Cut Copy
Australia's Cut Copy released this track this summer ahead of their fifth album Haiku From Zero, which wasn't one of their best. Still, as a fan of the iconic Chic guitar riff that fueled countless pop songs (not the least of which is "Rip it Up" by the previously mentioned Orange Juice), I'm happy to add this one to the list.

"Charm Assault" - Ride
We'll end where we began -- the return of shoegaze. Oxford's Ride -- along with Slowdive and My Bloody Valentine -- are the genre's progenitors and 2017 saw them reach creative heights they hadn't seen in over two decades. Led by Mark Gardener and former Oasis bassist Andy Bell, Ride released Weather Diaries, their first album in 21 years. This song, the first single off the album, may lacks the swirling guitars shoegaze is best known for, but more than makes up for it with a machine gun-like assault that is anything but charming.

Farewell 2017 and hello 2018. I hope everyone is off to a Happy New Year, and let the music keep flowing.

Song of the Summer?

The New York Times asks whether it's too soon to pick the song of the summer. It is, after all, February, and the temperature in Midtown Manhattan right now is a balmy 43 degrees. Still, the Times offers the new Sleigh Bells single "Comeback Kid" as a bona fide contender. I think it's a good tune -- a bit more melodic maybe than what we heard from Sleigh Bells their first time out -- but I'm not ready to crown it just yet. Ask me again in a few months.

Here's the video.

Step Up to the Plate

We're three games into baseball season, the Phillies are undefeated, and it's time to revive the age-old debate. If you were a baseball player, what would be your at-bat music?

You need something that's gonna rev up the crowd but also something with enough swagger and cred to make it worthwhile. And the song you choose says a lot about who you are. Here's a very funny video where Curtis Granderson struggles as he tries to pick his at-bat music for his first season as a Yankee:

If Granderson needs inspiration, he could look to his captain: During the Yankees 2009 World Series run, Derek Jeter took "Empire State of Mind" -- which was everywhere at the time and seemed like it was meant to be played at Yankee Stadium, and grand enough for a player like Jeter. Moving over to the Phils, Chase Utley comes to bat (when he's healthy) to the opening bars of Led Zeppelin's "Kashmir". Shane Victorino's unlikely selection is "Buffalo Soldier" by Bob Marley. And dare I say Carlos Ruiz has a really good one in "Turn My Swag On" by Soulja Boy (For some reason, I love the snippet of that song they play for Chooch). Here's a YouTube clip of the Phillies' at bat music from 2010:

My playing days are long in the past, but if I were stepping up to the plate, I'd play "Clash City Rockers" by the Clash.

 

It has a brash opening guitar riff that would sound great in a stadium, and it packs a punch in about 12 seconds, which is really all you have time for.

My second choice might be "Tell 'Em" by Sleigh Bells -- because nothing is as loud and aggressive as the opening guitars in that song.

So let's hear it -- what song would you play as you come to bat?